Simon Krichbaum

Seewalchen, Austria · High Performance, Handcrafted Kitchen Knives

Simon Krichbaum

Krichbaum Knives

Simon Krichbaum produces contemporary Austrian kitchen knives that combine Japanese-inspired geometry with a restrained, highly modern design language. After training under Martin Huber, he developed a practice centred on refined bevels, practical cutting performance, and increasingly distinctive takedown handle architecture. As part of Modern Cooking's MCx Design Studio, Simon's work reflects a younger generation of European makers pushing traditional forms into more contemporary territory.

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The latest from Krichbaum Knives

Recent work

Recent releases from this workshop. Each made by hand in extremely limited numbers.

MCx design studio

MCx collaborations

MCx Simon Krichbaum — limited pieces from a continuing collaboration.

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About the maker

On the workshop

Simon Krichbaum works from Seewalchen, Austria, where he has built a quietly distinctive practice at the intersection of contemporary design and traditional bladesmithing. He trained for three years under the respected Austrian bladesmith Martin Huber, an apprenticeship that grounded him in the fundamentals of forging, grinding, and heat treatment before he developed a voice of his own. That foundation is visible in everything he makes: even his most modern silhouettes are built on disciplined, classical process. Austria has produced a small but exceptional cohort of contemporary bladesmiths, and Simon sits comfortably within that lineage while pushing in his own direction.

On the workshop

His knives are shaped by a deliberate tension between old and new. Traditional Japanese geometry and finishing methods inform much of the work, while his aesthetic draws on the contemporary Austrian design world — including artist Benjamin Kamon, whose influence sits alongside that of his former master. The result is a stone-ready bevel that is easy to maintain, a grind tuned for genuine cutting performance, and an overall composition that reads as quietly considered rather than busy. Simon's restraint is what carries the work: every detail feels chosen, and nothing is added simply because it could be.

The distinctive Krichbaum touch is in how readily his knives invite use. The bevels are honest, the profiles feel resolved under the hand, and the finishing rewards close inspection without ever shouting. Each piece is essentially one of a kind, with small variations in materials and surface treatment — and increasingly with octagonal takedown handles in African Blackwood, textured Gidgee, or Thuya Burl — that mark it as the work of a single maker rather than a production line. Simon is also a contributor to Modern Cooking's MCx Design Studio, where his contemporary reinterpretation of Japanese form sits alongside the work of fellow European makers — including the Krichbaum × Johnsson release with Swedish Honyaki smith Jonas Johnsson. His combination of contemporary design, traditional technique, and stone-ready geometry adds a thoughtful Austrian voice to the Collectors Selection.

Simon Krichbaum
Simon Krichbaum
Simon Krichbaum

Steel preference

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Signature construction

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Low, stone finished bevels for the win!

— Simon Krichbaum, 2026

Cutting edge steel

Apex Ultra

Low-alloy fine-grain carbon tool steel

Typical HRC
64–68
Corrosion class
Carbon
Production
Conventional
Origin
Austria (developed by Tobias Hangler and Marco Guldimann; project led by Hangler at Messerschmiede Hangler)

Apex Ultra is one of the most carefully engineered non-stainless kitchen knife steels in modern circulation, and the project of an Austrian smith — Tobias Hangler — who set out, with Marco Guldimann, to design a steel for the kitchen rather than borrow one from another industry. It carries roughly 1.25 percent carbon, around four percent chromium, modest tungsten and molybdenum, and a small vanadium addition. The composition is tuned to produce a fine, evenly distributed carbide structure that supports hardness up to 67 HRC while delivering toughness comparable to 52100 at the same hardness — a combination that is the entire point of the steel.

What this means for a cook is unusual permission. You can ask a maker to grind an Apex Ultra knife thin enough that a White #1 owner would call you brave, then ask for the heat treatment to land at 65 HRC, and the resulting edge will hold for longer than Aogami Super without microchipping. It sharpens cleanly on natural and synthetic stones alike and patinas slowly because of the chromium content, though it is not stainless and should be treated as a carbon steel.

Apex Ultra has become a signature steel of the European maker community, and the Modern Cooking catalogue carries an unusually deep bench of smiths working in it. Tobias Hangler himself heads that group, alongside Marco Guldimann, Benjamin Kamon, Martin Huber, Jonas Johnsson, Karol Karyś, Birch & Bevel, and MCx. It is genuinely a step forward — one of the relatively few cases where the marketing claims and the underlying metallurgical data are saying the same thing.

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Cutting edge steel

115CrV3

Plain high-carbon chromium-vanadium steel

Typical HRC
62–65
Corrosion class
Carbon
Production
Conventional
Origin
Europe; identical to DIN 1.2210, known historically as "Silver Steel" in the UK

115CrV3 is the EN-system designation for the steel sold under the German Werkstoffnummer 1.2210 and in UK historical usage as Silver Steel. The chemistry is identical — about 1.15 percent carbon, 0.5 percent chromium, a small vanadium addition — and the editorial profile is the same as 1.2210.

Also known as:1.2210

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Blade construction

Laminated Steel

A category covering knives built from multiple layers of different steels forge-welded together. The hard cutting steel is sandwiched between softer outer layers (cladding) that protect the core, add toughness, and often contribute visual contrast.

The most common laminated constructions in the Modern Cooking catalogue are:

SanMai (三枚) — three layers: hard cutting steel in the centre, softer cladding on both sides. The traditional and most common form.

GoMai (五枚) — five layers: a hard core, two intermediate layers, and two outer layers. Adds visual depth and structural complexity.

KuMai (九枚) — nine layers: similar logic, with more cladding layers for additional pattern and structural variation.

GoMai and KuMai are often chosen not only for the additional layers and visual depth, but also because the intermediate layers can act as a nickel diffusion barrier — limiting carbon migration out of the core into the cladding during forge welding, and protecting the core's intended carbon content through the heat of the forging process.

In all cases the cutting performance is determined by the core steel; the outer layers are cosmetic and structural. The lamination contributes corrosion protection (when a stainless jacket clads a carbon core), reduced reactivity, and the visible boundary between core and cladding that gives the knife its character.

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Blade construction

Mono Steel

A knife forged from a single piece of steel — no laminations, no clad layers. The simplest and most direct construction. The entire blade is the cutting steel, with no softer outer jacket to protect or contrast it. Most contemporary Western kitchen knives in carbon and stainless steel are mono-steel constructions, as are honyaki and most European bladesmith work.

The trade-off is straightforward: mono-steel knives are easier to forge, sharpen, and reason about, but the entire blade carries the cutting steel's properties — including its reactivity if it's a clean carbon. There is no soft jacket to protect a more brittle core from impact, so the heat treatment and geometry have to do all the work.

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Limited release

Reserve your place

Simon Krichbaum's work is highly sought-after for its distinctive combination of craftsmanship, performance, and design, with each piece produced by hand in extremely limited numbers — a pace of production that naturally cannot keep up with demand.

For those hoping to secure a piece through Modern Cooking, joining the waitlist is the best way to register your interest in Simon's work and share your preferred dimensions, design preferences, and intended use. As opportunities become available, we use this information to guide future allocations with care and consideration.

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