Naohito Myojin

Susaki, Japan · High Performance, Handcrafted Kitchen Knives

Naohito Myojin

Myojinriki Seisakusho / Tetsujin

Naohito Myojin is widely regarded as one of Japan's leading master sharpeners, producing extraordinarily refined bevels and finishing through his workshop in Kōchi Prefecture. After more than a decade apprenticing under Morihiro-san at Konosuke, he developed a sharpening language defined by precision, edge stability, and remarkable consistency across the blade road. Tetsujin knives reflect the highest level of Japanese finishing discipline: controlled, balanced, and deeply satisfying in use.

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The latest from Myojinriki Seisakusho / Tetsujin

Recent work

Recent releases from this workshop. Each made by hand in extremely limited numbers.

About the maker

On the workshop

Naohito Myojin first stepped into a forge at eighteen, training as a blacksmith for three years before turning his focus to sharpening — the discipline that would come to define his career. He spent a decade as an apprentice to Morihiro-san at the renowned Konosuke Sakai atelier, an unusually long and rigorous education even by Japanese standards. From that foundation Myojin-san eventually established his own workshop, Myojinriki Seisakusho, under the Tetsujin name in Susaki, Kōchi Prefecture, on the island of Shikoku in southern Japan. He is widely regarded as one of the country's most accomplished master sharpeners, a reputation built on patient repetition and an instinct for pushing his discipline further.

The Tetsujin signature is a finely judged bevel — narrow, tough, and resolved with extraordinary precision. Myojin-san balances respect for traditional Japanese sharpening methods with a quietly restless impulse to refine and innovate, and that tension is visible in the work. Geometry sits at the centre of the practice: profiles are confident and considered, edges feel composed under the hand, and the finishing carries the same discipline as the grind itself. Chamfered spines, cleanly rounded choils, and meticulously resolved kasumi or polished surfaces are recurring details, each one demonstrating the same commitment to material integrity that runs through the wider Myojinriki Seisakusho output.

What distinguishes Myojin-san beyond pure technique is a collaborative spirit rarely found at this level of the craft. He regularly shares his knowledge with other Japanese craftspeople, lifting the work of the smiths and finishers around him rather than guarding his methods. The result is a body of work that feels both deeply personal and quietly connected to a wider community of makers. We are proud to present Tetsujin within the Modern Cooking Collectors Selection, where Myojin-san's combination of edge stability, refined finishing, and maker-led generosity sits naturally alongside other world-class artisans.

Steel preference

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Signature construction

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Cutting edge steel

26C3

High-carbon, low-alloy fine-grain steel

Typical HRC
63–67
Corrosion class
Carbon
Production
Conventional
Origin
Sweden (Sandvik / Alleima)

26C3 is one of the most quietly important kitchen knife steels of the past decade. Originally engineered by Sandvik as a razor steel — its lineage runs straight to UHB-20C — it carries about 1.25 to 1.30 percent carbon, very low manganese and sulphur, and a small chromium addition to control grain size. The result is a steel that hardens cleanly into the mid-sixties HRC while retaining genuinely useful toughness for its hardness, an unusual combination outside the powder-metallurgy world.

For the cook, 26C3 sharpens the way the best Japanese white papers sharpen — a quick burr that wipes off cleanly, and a polished edge that holds a screaming apex without microchipping. Toughness at 64 HRC is comparable to or better than 52100 at the same hardness in published testing, which is part of why the Larrin-Thomas-and-friends generation of makers gravitated to it; it lets you grind thinner without paying for it later. Like all clean carbons, it patinas willingly and benefits from a wipe between tasks.

26C3 has become something of a default among UK and European bladesmiths who want a no-compromise carbon edge, and it is the chemical parent of SheffCut, which adds a sliver of niobium to refine grain further. Among the makers Modern Cooking carries, Birch & Bevel, Karol Karyś, Jonas Johnsson, Tobias Heldqvist, Brook Turner, and Fredrik Spåre work in 26C3. It is one of the few non-stainless steels you can recommend to a cook coming from VG-10 without apology.

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Cutting edge steel

Damascus

Pattern-welded composite construction (term, not an alloy)

Typical HRC
Determined by core / outer steel
Corrosion class
Varies
Production
Pattern-welded
Origin
Global

"Damascus" is a construction technique, not a steel. Modern damascus billets are made by forge-welding alternating layers of two or more steels — typically a higher- and a lower-carbon partner, or a contrasting-nickel pair — and then folding, twisting, ladder-cutting, or otherwise manipulating the billet to expose the layer interfaces in a pattern. The visual interest comes from the etch, which preferentially attacks one of the two steels.

For a kitchen knife the relevant question is always: what is the cutting steel? Many premium Japanese damascus knives are *clad* damascus — a VG-10, SG2 or carbon core inside a multi-layer damascus jacket — in which case the patterning is decorative and the cutting metallurgy is the core. In *full* damascus knives (more common in custom Western work) the entire blade is pattern-welded, and the cutting steel is the harder of the two laminate components.

This is one of the points where a customer-facing entry needs to be honest: a beautiful damascus pattern is a craft achievement, but it does not on its own tell the buyer how the knife will cut. The core steel does that, and a good maker will list both.

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Blade construction

Mono Steel

A knife forged from a single piece of steel — no laminations, no clad layers. The simplest and most direct construction. The entire blade is the cutting steel, with no softer outer jacket to protect or contrast it. Most contemporary Western kitchen knives in carbon and stainless steel are mono-steel constructions, as are honyaki and most European bladesmith work.

The trade-off is straightforward: mono-steel knives are easier to forge, sharpen, and reason about, but the entire blade carries the cutting steel's properties — including its reactivity if it's a clean carbon. There is no soft jacket to protect a more brittle core from impact, so the heat treatment and geometry have to do all the work.

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Blade construction

Laminated Steel

A category covering knives built from multiple layers of different steels forge-welded together. The hard cutting steel is sandwiched between softer outer layers (cladding) that protect the core, add toughness, and often contribute visual contrast.

The most common laminated constructions in the Modern Cooking catalogue are:

SanMai (三枚) — three layers: hard cutting steel in the centre, softer cladding on both sides. The traditional and most common form.

GoMai (五枚) — five layers: a hard core, two intermediate layers, and two outer layers. Adds visual depth and structural complexity.

KuMai (九枚) — nine layers: similar logic, with more cladding layers for additional pattern and structural variation.

GoMai and KuMai are often chosen not only for the additional layers and visual depth, but also because the intermediate layers can act as a nickel diffusion barrier — limiting carbon migration out of the core into the cladding during forge welding, and protecting the core's intended carbon content through the heat of the forging process.

In all cases the cutting performance is determined by the core steel; the outer layers are cosmetic and structural. The lamination contributes corrosion protection (when a stainless jacket clads a carbon core), reduced reactivity, and the visible boundary between core and cladding that gives the knife its character.

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Limited release

Reserve your place

Naohito Myojin's work is highly sought-after for its distinctive combination of craftsmanship, performance, and design, with each piece produced by hand in extremely limited numbers — a pace of production that naturally cannot keep up with demand.

For those hoping to secure a piece through Modern Cooking, joining the waitlist is the best way to register your interest in Naohito's work and share your preferred dimensions, design preferences, and intended use. As opportunities become available, we use this information to guide future allocations with care and consideration.

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