Erik Gullikson

Kinsale, Ireland · High Performance, Handcrafted Kitchen Knives

Erik Gullikson

Gullikson Knives

Erik Gullikson approaches knifemaking with the instincts of a lifelong artist, producing blades that are expressive, highly individual, and deeply rooted in performance. Based in Kinsale, Ireland, his work often begins from conceptual prompts that guide steel, colour, texture, and material choices, resulting in knives that feel composed as visual objects while remaining serious kitchen tools. Each release carries its own atmosphere and identity, making Gullikson one of the most distinctive makers in the Modern Cooking collection.

View recent work

The latest from Gullikson Knives

Recent work

Recent releases from this workshop. Each made by hand in extremely limited numbers.

MCx design studio

MCx collaborations

MCx Erik Gullikson — limited pieces from a continuing collaboration.

About the maker

On the workshop

Erik Gullikson came to bladesmithing from an unusual direction. An artist from day one, he spent the majority of his life composing and producing music, and bladesmithing ran alongside that work as a part-time passion for more than a decade before he committed to it full time. The move from the studio to the forge looks dramatic on paper, but for Erik it reads as a continuation rather than a break — simply a more physical and tangible outlet for the same creative energies. Now based in Kinsale, Ireland, his workshop practice carries the disciplined attention of a long-form creative career applied to steel rather than sound.

His knives are designed first to perform technically, but the design language is distinctive. Erik often works from a "two words" prompt, channelling life experience, history, nature and even pop culture into phrase pairings — "Runic strata," "Rainbow rust," "Lush heart," "Raw shadow" — that guide his steel layering, colour palettes and handle pairings. The result is captivating and singular, with a fluid approach to design that blends traditional and contemporary techniques into pieces that read as visual compositions as much as cutting tools. The performance grounding is consistent across the range, but no two releases follow the same brief.

For Modern Cooking, Erik has been one of the most highly anticipated, exciting and innovative artisans to join the Collectors Selection. His work inspires professional and home cooks alike to be more creative in the kitchen, and the steady cadence of new releases continues to surprise. From one drop to the next, he reframes familiar materials and profiles into combinations that feel fresh without losing technical grounding, and we look forward to bringing more of his work to a Modern Cooking audience that has come to expect exactly that kind of considered, expressive making.

Steel preference

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Signature construction

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Cutting edge steel

Apex Ultra

Low-alloy fine-grain carbon tool steel

Typical HRC
64–68
Corrosion class
Carbon
Production
Conventional
Origin
Austria (developed by Tobias Hangler and Marco Guldimann; project led by Hangler at Messerschmiede Hangler)

Apex Ultra is one of the most carefully engineered non-stainless kitchen knife steels in modern circulation, and the project of an Austrian smith — Tobias Hangler — who set out, with Marco Guldimann, to design a steel for the kitchen rather than borrow one from another industry. It carries roughly 1.25 percent carbon, around four percent chromium, modest tungsten and molybdenum, and a small vanadium addition. The composition is tuned to produce a fine, evenly distributed carbide structure that supports hardness up to 67 HRC while delivering toughness comparable to 52100 at the same hardness — a combination that is the entire point of the steel.

What this means for a cook is unusual permission. You can ask a maker to grind an Apex Ultra knife thin enough that a White #1 owner would call you brave, then ask for the heat treatment to land at 65 HRC, and the resulting edge will hold for longer than Aogami Super without microchipping. It sharpens cleanly on natural and synthetic stones alike and patinas slowly because of the chromium content, though it is not stainless and should be treated as a carbon steel.

Apex Ultra has become a signature steel of the European maker community, and the Modern Cooking catalogue carries an unusually deep bench of smiths working in it. Tobias Hangler himself heads that group, alongside Marco Guldimann, Benjamin Kamon, Martin Huber, Jonas Johnsson, Karol Karyś, Birch & Bevel, and MCx. It is genuinely a step forward — one of the relatively few cases where the marketing claims and the underlying metallurgical data are saying the same thing.

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Cutting edge steel

RWL34 / RWL

Powder metallurgy martensitic stainless tool steel

Typical HRC
60–63
Corrosion class
Stainless
Production
Powder
Origin
Sweden (Damasteel)

RWL34 — usually shortened to RWL — is Damasteel's powder-route stainless equivalent of ATS-34 / CPM-154, and is the bright-and-hard layer in much of the world's high-end stainless damascus. The composition (1.05 percent carbon, 14 percent chromium, 4 percent molybdenum, 0.2 percent vanadium) is essentially ATS-34 chemistry, but the rapid-solidification powder process produces a finer, cleaner microstructure than the conventional ingot route.

In a kitchen knife — usually a Damasteel-pattern blade — RWL34 runs at 60–62 HRC, sharpens cleanly, and produces a refined edge that holds well for the class. Edge retention is in the same band as SG2 at slightly lower hardness; toughness is good; corrosion resistance is excellent. The named association with Robert W. Loveless, the steel's original collaborator on the design, is half of the steel's mystique.

You see RWL most often as a mono-steel core in high-end custom work and as the contrast layer in Damasteel patterns. Among the makers Modern Cooking carries, Bernhard Noitz, Erik Gullikson, Evan Antzenberger, Jeroen Knippenberg, and Birch & Bevel work in RWL. It is a genuinely nice premium stainless that is somewhat under-discussed compared to the American powder steels.

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Blade construction

Laminated Steel

A category covering knives built from multiple layers of different steels forge-welded together. The hard cutting steel is sandwiched between softer outer layers (cladding) that protect the core, add toughness, and often contribute visual contrast.

The most common laminated constructions in the Modern Cooking catalogue are:

SanMai (三枚) — three layers: hard cutting steel in the centre, softer cladding on both sides. The traditional and most common form.

GoMai (五枚) — five layers: a hard core, two intermediate layers, and two outer layers. Adds visual depth and structural complexity.

KuMai (九枚) — nine layers: similar logic, with more cladding layers for additional pattern and structural variation.

GoMai and KuMai are often chosen not only for the additional layers and visual depth, but also because the intermediate layers can act as a nickel diffusion barrier — limiting carbon migration out of the core into the cladding during forge welding, and protecting the core's intended carbon content through the heat of the forging process.

In all cases the cutting performance is determined by the core steel; the outer layers are cosmetic and structural. The lamination contributes corrosion protection (when a stainless jacket clads a carbon core), reduced reactivity, and the visible boundary between core and cladding that gives the knife its character.

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Blade construction

Mono Steel

A knife forged from a single piece of steel — no laminations, no clad layers. The simplest and most direct construction. The entire blade is the cutting steel, with no softer outer jacket to protect or contrast it. Most contemporary Western kitchen knives in carbon and stainless steel are mono-steel constructions, as are honyaki and most European bladesmith work.

The trade-off is straightforward: mono-steel knives are easier to forge, sharpen, and reason about, but the entire blade carries the cutting steel's properties — including its reactivity if it's a clean carbon. There is no soft jacket to protect a more brittle core from impact, so the heat treatment and geometry have to do all the work.

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Limited release

Reserve your place

Erik Gullikson's work is highly sought-after for its distinctive combination of craftsmanship, performance, and design, with each piece produced by hand in extremely limited numbers — a pace of production that naturally cannot keep up with demand.

For those hoping to secure a piece through Modern Cooking, joining the waitlist is the best way to register your interest in Erik's work and share your preferred dimensions, design preferences, and intended use. As opportunities become available, we use this information to guide future allocations with care and consideration.

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