Simon Krichbaum

Seewalchen, Austria · High Performance, Handcrafted Kitchen Knives

Simon Krichbaum

Krichbaum Knives

Simon Krichbaum produces contemporary Austrian kitchen knives that combine Japanese-inspired geometry with a restrained, highly modern design language. After training under Martin Huber, he developed a practice centred on refined bevels, practical cutting performance, and increasingly distinctive takedown handle architecture. As part of Modern Cooking's MCx Design Studio, Simon's work reflects a younger generation of European makers pushing traditional forms into more contemporary territory.

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The latest from Krichbaum Knives

Recent work

Recent releases from this workshop. Each made by hand in extremely limited numbers.

About the maker

On the workshop

Simon Krichbaum works from Seewalchen, Austria, where he has built a quietly distinctive practice at the intersection of contemporary design and traditional bladesmithing. He trained for three years under the respected Austrian bladesmith Martin Huber, an apprenticeship that grounded him in the fundamentals of forging, grinding, and heat treatment before he developed a voice of his own. That foundation is visible in everything he makes: even his most modern silhouettes are built on disciplined, classical process. Austria has produced a small but exceptional cohort of contemporary bladesmiths, and Simon sits comfortably within that lineage while pushing in his own direction.

On the workshop

His knives are shaped by a deliberate tension between old and new. Traditional Japanese geometry and finishing methods inform much of the work, while his aesthetic draws on the contemporary Austrian design world — including artist Benjamin Kamon, whose influence sits alongside that of his former master. The result is a stone-ready bevel that is easy to maintain, a grind tuned for genuine cutting performance, and an overall composition that reads as quietly considered rather than busy. Simon's restraint is what carries the work: every detail feels chosen, and nothing is added simply because it could be.

The distinctive Krichbaum touch is in how readily his knives invite use. The bevels are honest, the profiles feel resolved under the hand, and the finishing rewards close inspection without ever shouting. Each piece is essentially one of a kind, with small variations in materials and surface treatment — and increasingly with octagonal takedown handles in African Blackwood, textured Gidgee, or Thuya Burl — that mark it as the work of a single maker rather than a production line. Simon is also a contributor to Modern Cooking's MCx Design Studio, where his contemporary reinterpretation of Japanese form sits alongside the work of fellow European makers — including the Krichbaum × Johnsson release with Swedish Honyaki smith Jonas Johnsson. His combination of contemporary design, traditional technique, and stone-ready geometry adds a thoughtful Austrian voice to the Collectors Selection.

Simon Krichbaum
Simon Krichbaum
Simon Krichbaum

Steel preference

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Signature construction

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Low, stone finished bevels for the win!

— Simon Krichbaum, 2026

Cutting edge steel

Apex Ultra

Low-alloy fine-grain carbon tool steel

Typical HRC
64–68
Corrosion class
Carbon
Production
Conventional
Origin
Austria (ApexUltra project — developed by Larrin Thomas, Marco Guldimann and Tobias Hangler; FFG-funded, associated with Messerschmiede Hangler)

Apex Ultra is one of the most carefully engineered non-stainless kitchen knife steels in modern circulation — a steel designed from the ground up specifically for handmade knives, rather than borrowed from another industry. It was developed by metallurgist Larrin Thomas together with smiths Marco Guldimann and Tobias Hangler. It is a low-alloy carbon steel — roughly 1.25 percent carbon, 2.6 percent tungsten, 1.5 percent chromium and a 0.4 percent vanadium addition, with manganese and silicon kept low. That composition is tuned for high purity and a fine, evenly distributed mix of chromium-enriched iron carbides, tungsten carbides and vanadium carbides — the structure that lets it hold a very hard edge without the coarse carbides or plate martensite that sap toughness in other high-hardness carbon steels.

What this means for a cook is unusual permission. Apex Ultra carries very high toughness in the 66+ HRC range — the highest of any knife steel its developers have tested at that hardness — so you can ask a maker to grind it thin and run the heat treatment hard, and the edge will hold far longer than the carbon steels smiths usually forge, without microchipping. It forges and forge-welds much like 52100 or 1.2562, sharpens cleanly on natural and synthetic stones without needing diamond plates, and its modest chromium slows patina a little — though it is not stainless and should be cared for as a carbon steel.

Apex Ultra has become a signature steel of the European maker community, and the Modern Cooking catalogue carries an unusually deep bench of smiths working in it. Tobias Hangler himself heads that group, alongside Marco Guldimann, Benjamin Kamon, Martin Huber, Jonas Johnsson, Karol Karyś, Birch & Bevel, and MCx. It is genuinely a step forward — one of the relatively few cases where the marketing claims and the underlying metallurgical data are saying the same thing.

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Cutting edge steel

115CrV3

Plain high-carbon chromium-vanadium steel

Typical HRC
62–65
Corrosion class
Carbon
Production
Conventional
Origin
Europe; identical to DIN 1.2210, known historically as "Silver Steel" in the UK

115CrV3 is the EN-system designation for the steel sold under the German Werkstoffnummer 1.2210 and in UK historical usage as Silver Steel. The chemistry is identical — about 1.15 percent carbon, 0.5 percent chromium, a small vanadium addition — and the editorial profile is the same as 1.2210.

Also known as:1.2210

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Blade construction

Laminated Steel

A category covering knives built from multiple layers of different steels forge-welded together. The hard cutting steel is sandwiched between softer outer layers (cladding) that protect the core, add toughness, and often contribute visual contrast.

The most common laminated constructions in the Modern Cooking catalogue are:

SanMai (三枚) — three layers: hard cutting steel in the centre, softer cladding on both sides. The traditional and most common form.

GoMai (五枚) — five layers: a hard core, two intermediate layers, and two outer layers. Adds visual depth and structural complexity.

KuMai (九枚) — nine layers: similar logic, with more cladding layers for additional pattern and structural variation.

GoMai and KuMai are often chosen not only for the additional layers and visual depth, but also because the intermediate layers can act as a nickel diffusion barrier — limiting carbon migration out of the core into the cladding during forge welding, and protecting the core's intended carbon content through the heat of the forging process.

In all cases the cutting performance is determined by the core steel; the outer layers are cosmetic and structural. The lamination contributes corrosion protection (when a stainless jacket clads a carbon core), reduced reactivity, and the visible boundary between core and cladding that gives the knife its character.

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Blade construction

Mono Steel

A knife forged from a single piece of steel — no laminations, no clad layers. The simplest and most direct construction. The entire blade is the cutting steel, with no softer outer jacket to protect or contrast it. Most contemporary Western kitchen knives in carbon and stainless steel are mono-steel constructions, as are honyaki and most European bladesmith work.

The trade-off is straightforward: mono-steel knives are easier to forge, sharpen, and reason about, but the entire blade carries the cutting steel's properties — including its reactivity if it's a clean carbon. There is no soft jacket to protect a more brittle core from impact, so the heat treatment and geometry have to do all the work.

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From the archive

2 pieces

Past pieces

Pieces from this workshop's previous releases. No longer available, kept here for record.

Limited release

Reserve your place

Simon Krichbaum's work is highly sought-after for its distinctive combination of craftsmanship, performance, and design, with each piece produced by hand in extremely limited numbers — a pace of production that naturally cannot keep up with demand.

For those hoping to secure a piece through Modern Cooking, joining the waitlist is the best way to register your interest in Simon's work and share your preferred dimensions, design preferences, and intended use. As opportunities become available, we use this information to guide future allocations with care and consideration.

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